| Paris When It Sizzles | |
|---|---|
original film poster |
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| Directed by | Richard Quine |
| Produced by | George Axelrod Richard Quine |
| Written by | Story & previous screenplay: Julien Duvivier Henri Jeanson Adaptation: George Axelrod |
| Starring | William Holden Audrey Hepburn |
| Music by | Nelson Riddle |
| Cinematography | Charles Lang Claude Renoir |
| Editing by | Archie Marshek |
| Distributed by | Paramount Pictures |
| Release date(s) | April 8, 1964 (NYC)[1] |
| Running time | 108[2]/110[1] minutes |
| Country | United States |
| Language | English |
| Budget | $4 million USD (est.) |
Paris When It Sizzles is a 1964 romantic comedy film directed by Richard Quine and produced by Quine and George Axelrod. The screenplay is by George Axelrod based on the story and film Holiday for Henrietta by Julien Duvivier and Henri Jeanson. The music score is by Nelson Riddle, the cinematography by Charles Lang and Claude Renoir. The film stars William Holden and Audrey Hepburn, and features Grégoire Aslan, Raymond Bussières and Noël Coward.
Contents |
The story concerns a veteran playboy screenwriter named Richard Benson (William Holden) who has been paid to write a screenplay for his boss, Mr. Alexander Myerheim (Noël Coward). Overly confident in his writing abilities, he puts off writing the screenplay until just two days before it is due. Gabrielle Simpson (Audrey Hepburn), a temp secretary hired by Benson to type the script, comes to Richard's hotel room where they are to spend the weekend. Richard and Gabrielle come up with various off-the-wall scenarios for his screenplay, called The Girl Who Stole the Eiffel Tower. As the script unfolds, so does the romance between the two writers.
Some members of the cast have roles in The Girl Who Stole the Eiffel Tower, the film-within-the-film.
| Actor | Role | Role in the film-within-the-film |
|---|---|---|
| Audrey Hepburn | Gabrielle Simpson | Gabby |
| William Holden | Richard Benson | Rick |
| Grégoire Aslan | Police Inspector Gilet | |
| Raymond Bussières | François, the gangster | |
| Tony Curtis | Maurice, the second policeman | |
| Noël Coward | Alexander Meyerheim | The Producer |
Cast notes:
The film, whose working title was Together in Paris,[1] is a remake of the 1952 French film Holiday for Henrietta, directed by Julien Duvivier. Paramount exercised an option on their contracts with both Hepburn and Holden, forcing them to make the film together. Holden, who had had an affair with Hepburn during the making of Sabrina a decade earlier and been in love with her ever since, attempted without success to rekindle a romance with the now-married actress.[4] Holden's alcoholism was also a constant challenge for Quine, who moved into a rented house next to Holden's during production to keep an eye on him.[4] Holden later commented on both of the problems:[4]
| “ | I remember the day I arrived at Orly Airport for Paris When It Sizzles. I could hear my footsteps echoing against the walls of the transit corridor, just like a condemned man walking the last mile. I realized that I had to face Audrey and I had to deal with my drinking. And I didn’t think I could handle either situation. | ” |
Curtis was brought into the production to film during a week when Holden was undergoing treatment for his alcoholism at the prompting of the director.[4] Lang replaced Renoir as the director of photography during production, a change demanded by Hepburn after she saw what she felt were unflattering dailies.[4]
Hepburn shot the film in the summer of 1962, back-to-back with Charade, which she shot that fall. The films shared several locations, most notably a Punch and Judy puppet theatre in the park in front of the Théâtre Marigny.
Variety called Paris When It Sizzles "marshmallow-weight hokum" and quoted a line from the film as an apt description of the film itself: "contrived, utterly preposterous and totally unmotivated"; it complimented the two leads, saying Hepburn is a "refreshingly individual creature in an era of the exaggerated curve" and Holden "handles his assignment commendably."[2]
Time said the film was "a multimillion dollar improvisation that does everything but what the title promises" and suggested that "writer George Axelrod (The Seven Year Itch) and director Richard Quine should have taken a hint from Holden['s character Richard Benson], who writes his movie, takes a long sober look at what he has wrought, and burns it."[5]
Turner Classic Movies notes that "critics uniformly panned" the film but said it "has earned a reputation as a guilty pleasure for those who enjoy in-joke movie spoofs and an absurdist storyline played out against the glorious backdrop of the City of Light."[4]
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